Nov 20, 2020 · Poem Analysis for Christina Rossetti’s No, Thank you, John Themes: Rejection Earthly relationships Love Summary: The poem encapsulates a one sided conversation, where we learn the female speaker has rejected the love of ‘John’, instead preferring to be friends. The poem although does not seem a rejection of earthly love on religious ... ... CRITICAL ANALYSIS – No, Thank You, John “She seems to write directly and bitterly to one of her suitors…To reject a marriage proposal seemed counter to the Victorian mentality, and for Rossetti to assert herself in such as way as she does in this poem adds to her character a sense of strength and profound assertiveness which Virginia Woolf touches upon in her essay about Rossetti. ... Oct 25, 2017 · '"No, Thank You, John"' is a poem about "John", who wishes to have a deeper love relationship with Christina. She does not have the same loving feelings towards John and hence causes a conflict. Christina expresses her feelings to John and tells him she is not interested in a relationship but he does not seem to understand. ... Rossetti uses an irregular and unusual meter in "No, Thank You, John," which suggests and mimics the disruptive and erratic nature of John's behavior. The first two lines of each quatrain are generally written in iambic tetrameter, so that by midway through the stanza, a fairly regular, predictable, and comfortable rhythm has been established. ... Write an essay answering the following question: How is the speaker of ‘No, Thank You, John’ portrayed by Rossetti? Compare this portrayal with that of women in at least two of Rossetti’s other poems. Key terms alliteration: repetition of the same letter or sound in close proximity caesura: a pause near the middle of a line of poetry ... Christina Rossetti, for example, wrote a poem titled “No, Thank You, John” which criticizes the marriage system and indirectly becomes a proponent to the concept of the new woman. A new woman is considered to be independent, educated, and uninterested in marriage and family, as is the narrator of this poem. ... ">

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No, Thank You, John Summary & Analysis by Christina Rossetti

  • Introduction
  • Line-by-Line Explanation & Analysis
  • Poetic Devices
  • Vocabulary & References
  • Form, Meter, & Rhyme Scheme
  • Download PDF
  • Line-by-Line Explanations

no thank you john essay

The Full Text of “No, Thank You, John”

1 I never said I loved you, John:

2         Why will you tease me, day by day,

3 And wax a weariness to think upon

4         With always "do" and "pray"?

5 You know I never loved you, John;

6         No fault of mine made me your toast:

7 Why will you haunt me with a face as wan

8         As shows an hour-old ghost?

9 I dare say Meg or Moll would take

10         Pity upon you, if you'd ask:

11 And pray don't remain single for my sake

12         Who can't perform that task.

13 I have no heart?—Perhaps I have not;

14         But then you're mad to take offence

15 That I don't give you what I have not got:

16         Use your common sense.

17 Let bygones be bygones:

18         Don't call me false, who owed not to be true:

19 I'd rather answer "No" to fifty Johns

20         Than answer "Yes" to you.

21 Let's mar our pleasant days no more,

22         Song-birds of passage, days of youth:

23 Catch at to-day, forget the days before:

24         I'll wink at your untruth.

25 Let us strike hands as hearty friends;

26         No more, no less: and friendship's good:

27 Only don't keep in view ulterior ends,

28         And points not understood

29 In open treaty. Rise above

30         Quibbles and shuffling off and on:

31 Here's friendship for you if you like; but love,—

32         No, thank you, John.

“No, Thank You, John” Introduction

  • Read the full text of “No, Thank You, John”

“No, Thank You, John” Summary

“no, thank you, john” themes.

Theme Unrequited Love and Gender

Unrequited Love and Gender

  • See where this theme is active in the poem.

Line-by-Line Explanation & Analysis of “No, Thank You, John”

I never said I loved you, John:         Why will you tease me, day by day, And wax a weariness to think upon         With always "do" and "pray"?

no thank you john essay

You know I never loved you, John;         No fault of mine made me your toast: Why will you haunt me with a face as wan         As shows an hour-old ghost?

I dare say Meg or Moll would take         Pity upon you, if you'd ask: And pray don't remain single for my sake         Who can't perform that task.

Lines 13-16

I have no heart?—Perhaps I have not;         But then you're mad to take offence That I don't give you what I have not got:         Use your common sense.

Lines 17-20

Let bygones be bygones:         Don't call me false, who owed not to be true: I'd rather answer "No" to fifty Johns         Than answer "Yes" to you.

Lines 21-24

Let's mar our pleasant days no more,         Song-birds of passage, days of youth: Catch at to-day, forget the days before:         I'll wink at your untruth.

Lines 25-28

Let us strike hands as hearty friends;         No more, no less: and friendship's good: Only don't keep in view ulterior ends,         And points not understood

Lines 29-32

In open treaty. Rise above         Quibbles and shuffling off and on: Here's friendship for you if you like; but love,—         No, thank you, John.

“No, Thank You, John” Symbols

Symbol The Ghost

  • See where this symbol appears in the poem.

“No, Thank You, John” Poetic Devices & Figurative Language

  • See where this poetic device appears in the poem.

Alliteration

“no, thank you, john” vocabulary.

Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.

  • See where this vocabulary word appears in the poem.

Form, Meter, & Rhyme Scheme of “No, Thank You, John”

Rhyme scheme, “no, thank you, john” speaker, “no, thank you, john” setting, literary and historical context of “no, thank you, john”, more “no, thank you, john” resources, external resources.

"No, Thank You, John" Quartet Adaptation — Listen to a musical quartet adaptation of the entire poem. 

"No, Thank You, John" Choral Adaptation — Listen to a choral adaptation of the poem.

The Poem Read Aloud — Listen to a reading of the poem.

A Video Interpretation — Watch a video interpretation of the poem.

Rossetti Among the Pre-Raphaelites — A review considering the relationship between Rossetti's work and the art of that time, including historical context for "No, Thank You, John."

LitCharts on Other Poems by Christina Rossetti

An Apple Gathering

Babylon the Great

Cousin Kate

From the Antique

Good Friday

In an Artist's Studio

In the Round Tower at Jhansi, June 8, 1857 (Indian Mutiny)

Maude Clare

Piteous my rhyme is

Sister Maude

Soeur Louise de la Miséricorde

Some ladies dress in muslin full and white

Song (When I am dead, my dearest)

Winter: My Secret

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  • English Literature
  • A2 Unit 3 - Poetry Pre-1900 and Unseen Poetry

Summary A* analysis of Christina Rossetti's No, Thank You, John

  • Institution
  • Goblin Market and Other Poems

This A* poetry revision sheet includes: THEMES, SUMMARY OF THE POEM, STRUCTURE AND IMAGERY ANALYSIS.

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Book Title: Goblin Market and Other Poems

Author(s): Christina Rossetti, Christina G. Rossetti

  • Edition: Unknown
  • ISBN: 9780486280554

More summaries for

  • Summary A* analysis of Christina Rossetti's De Profundis
  • Summary A* analysis of Christina Rossetti's A Castle Builder's World
  • Summary A* analysis of Christina Rossetti's A Daughter of Eve
  • Study Level A/AS Level
  • Examinator WJEC
  • Subject English Literature
  • Unit A2 Unit 3 - Poetry Pre-1900 and Unseen Poetry

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“No, Thank You, John” by Christina Rossetti Essay Example

“No, Thank You, John” by Christina Rossetti Essay Example

  • Pages: 3 (630 words)
  • Published: October 25, 2017
  • Type: Essay

The poem '"No, Thank You, John"' by Christina Rossetti, is about a conflicting love relationship. Throughout this poem she uses catharsis, consonance and a rhythm and rhyming device, to convey her theme. The poem expresses her true feelings towards a friend who wishes to have a deeper relationship with her although she does not have similar feelings towards him. '"No, Thank You, John"' is a poem about "John", who wishes to have a deeper love relationship with Christina. She does not have the same loving feelings towards John and hence causes a conflict.

Christina expresses her feelings to John and tells him she is not interested in a relationship but he does not seem to understand. She explains to him "Let us strike our hands as hearty friends; No more, no less; and friendship's good: Only don't ke

ep in view ulterior ends, and points understood". What she is expressing here is that she only wishes to be friends with him nothing more, nothing less. This is also an expression of catharsis, which is the expression of emotions through pity.

She uses this literary device throughout the poem. A few examples being "I never said I loved you", "Pity upon you if you ask" and "Here's friendship for you if you like; but love,- No, thank you, John. " She expresses her feelings this way because she does feel saddened by his deep emotions for her. Christina uses several literary devices including catharsis, as we just saw, throughout the poem to convey her feelings to the reader. Another example of this is consonance.

Consonance is used throughout the poem as we see in the second and fifth stanzas "No

fault of mine made me your toast" and "Let bygones be bygones". The repetition of consonants, "mine made me" and "bygones be bygones" expresses her deeper feelings by intensifying the expression of her feelings. It intensifies the words and therefore makes the expression of her feelings loud to the reader. She uses this literary device so the reader can understand her thoroughly. Christina also uses a rhythm and rhyming technique throughout the poem. This technique is not uncommon.

As the poem rhymes it also makes sense and gives the poem a deeper meaning. "Let's mar our pleasant days no more, Song-birds of passage, days of youth: Catch at today, forget the days before: I'll wink at your untruth" using this literary device gives emphasis to the rhyming words "more" and "before", "youth" and "untruth". It gives the words a deeper meaning and expresses Christina's true feelings to the reader. This stanza also uses another literary device carpe diem, which is seizing the day and that one should live life to the fullest.

Christina is saying to John that he should accept friendship and be happy with the fact that he at least can have her as a friend as opposed to not having a relationship with her at all. He should seize the day and accept her friendship and find love elsewhere because she does not have feelings for him similar to his deep feelings towards her. Her uses of literary devices are uniquely placed and are apparent to the reader thus making her emotions some across as strong so the reader understands her tone.

Just to name a few catharsis, consonance, her rhyming technique and easing into

the cape diem idea all make Christina's points come across strongly. Although she expresses her feelings towards not having deep emotions for John in this poem, this does not simply mean she does not care for him all together. She obviously cares deeply for him since she took the time to write a poem. Her feelings just lie on more of a friendship level than his do.

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No, Thank You, John

By christina rossetti, no, thank you, john essay questions.

How does the poem's meter reflect its themes and conflicts?

Rossetti uses an irregular and unusual meter in "No, Thank You, John," which suggests and mimics the disruptive and erratic nature of John's behavior. The first two lines of each quatrain are generally written in iambic tetrameter, so that by midway through the stanza, a fairly regular, predictable, and comfortable rhythm has been established. This rhythm is strained in the following line, where Rossetti adds an iamb, creating iambic pentameter. Finally, Rossetti completely shatters expectations with the final line of the stanza, which she shrinks rather than expands, using iambic trimeter. It therefore appears to end suddenly and prematurely, in an imitation of the sudden, uncontrollable way in which John intrudes upon the speaker's life.

Pinpoint a climactic or transitional moment in the poem and describe its importance.

This work can be roughly divided into two major sections, with a transition occurring after the fifth stanza. In the first of these two sections, the speaker's tone is more raw, angry, and unfiltered. She implores John to explain his behavior with questions like "Why will you tease me, day by day," and she uses sharp reprimands like "Use your common sense." In the second section, she appears to adopt a new, more careful strategy of compromise and coaxing. She begins stanza six with the verb "let's," proposing a mutual effort rather than discussing only John's actions or only her own. She then sets out the terms of a friendship with John, making a firm but gentle overture towards an agreement.

Compare and contrast two uses of figurative language in the context of this work.

Rossetti uses relatively little figurative language, making each instance of it memorable and stark. One of the poem's earliest images concerns John's "wan" appearance as he pursues the speaker. Here, the speaker uses metaphor to compare John to a ghost, suggesting that he is somewhat frightening and unappealing in his insistence, and simultaneously suggesting that he has reduced his own vitality through lovesickness. Later, the speaker uses another metaphor to compare the flight of a songbird to the passage of time. Similarly to the ghost metaphor, this one emphasizes mortality, impermanence, and ephemerality. However, this one stresses the value of fleeting life rather than the coming of a dreaded (if non-literal) death.

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No, Thank You, John Questions and Answers

The Question and Answer section for No, Thank You, John is a great resource to ask questions, find answers, and discuss the novel.

Study Guide for No, Thank You, John

No, Thank You, John study guide contains a biography of Christina Rossetti, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

  • About No, Thank You, John
  • No, Thank You, John Summary
  • Character List

Lesson Plan for No, Thank You, John

  • About the Author
  • Study Objectives
  • Common Core Standards
  • Introduction to No, Thank You, John
  • Relationship to Other Books
  • Bringing in Technology
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  • No, Thank You, John Bibliography

no thank you john essay

Analysis Of No Thank You John

no thank you john essay

Show More In literature, there were not many examples of women that refused to adhere to the status quo. We have plenty of men and women who wrote for the continuation of the male hierarchy. There were some, however, that decided to write in opposition to the norm. Christina Rossetti, for example, wrote a poem titled “No, Thank You, John” which criticizes the marriage system and indirectly becomes a proponent to the concept of the new woman . A new woman is considered to be independent, educated, and uninterested in marriage and family, as is the narrator of this poem. As such, this poem uses several tactics to convince the reader that the marriage system is broken and ridiculous through the eyes of a “new woman” narrator. Rossetti, an ally of the feminist movement, frequently criticizes those (including …show more content… A new woman herself, she condemns male authors who believe that women are art instead of people. This will also become an apparent theme throughout this poem. She uses many of the defining factors of a new woman to explain how the gender hierarchy is unfair to women. We can see that Rossetti wove in her values as a feminist in order to reveal to the reader that women should be of their own person. Considered to be a fairly simple and obvious poem, “No, Thank You, John” should also be thought of as an advocate of the new woman concept. The narrator is directly rejecting a boy named John, who wants her to love him even though she has told him “no.” The narrator, a new woman, is opposed to the idea of marriage. She says “and pray don’t remain single for my sake/ who can’t perform that task,” (Rossetti 11-12) meaning that she does not want to marry him and would like him to try someone else. We can assume that the narrator has

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  2. No, Thank You, John Poem by Christina Georgina Rossetti

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  3. “No, Thank You, John” by Christina Rossetti Essay Example

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COMMENTS

  1. No, Thank You, John Poem Summary and Analysis | LitCharts

    26 No more, no less: and friendship's good: 27 Only don't keep in view ulterior ends, 28 And points not understood. 29 In open treaty. Rise above. 30 Quibbles and shuffling off and on: 31 Here's friendship for you if you like; but love,— 32 No, thank you, John.

  2. No, Thank You, John Study Guide - GradeSaver

    "No, Thank You, John" is an 1862 poem by the English writer Christina Rossetti in which a woman addresses and negotiates with a man who continues to pursue her despite her rejections. It was originally published in Rossetti's collection Goblin Market and Other Poems, and engages with a number of themes common in Rossetti's work, most prominently romance and Victorian

  3. No, Thank You, John by Christina Rossetti - Poem Analysis

    In this second stanza of ‘No, Thank You, John‘, the frustration, and assertiveness go higher–perhaps it is a response coming from the speaker to the listener, when she says –“you know”, which many mean refusing to give any ground. The most interesting line of this stanza is the second line when she says: “no fault of mine” which ...

  4. No, Thank You, John Summary - GradeSaver

    No, Thank You, John study guide contains a biography of Christina Rossetti, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Best summary PDF, themes, and quotes.

  5. Summary A* analysis of Christina Rossetti's No, Thank You, John

    Nov 20, 2020 · Poem Analysis for Christina Rossetti’s No, Thank you, John Themes: Rejection Earthly relationships Love Summary: The poem encapsulates a one sided conversation, where we learn the female speaker has rejected the love of ‘John’, instead preferring to be friends. The poem although does not seem a rejection of earthly love on religious ...

  6. No, Thank You, John - padletuploads.blob.core.windows.net

    CRITICAL ANALYSIS – No, Thank You, John “She seems to write directly and bitterly to one of her suitors…To reject a marriage proposal seemed counter to the Victorian mentality, and for Rossetti to assert herself in such as way as she does in this poem adds to her character a sense of strength and profound assertiveness which Virginia Woolf touches upon in her essay about Rossetti.

  7. “No, Thank You, John” by Christina Rossetti Essay Example

    Oct 25, 2017 · '"No, Thank You, John"' is a poem about "John", who wishes to have a deeper love relationship with Christina. She does not have the same loving feelings towards John and hence causes a conflict. Christina expresses her feelings to John and tells him she is not interested in a relationship but he does not seem to understand.

  8. No, Thank You, John Essay Questions - GradeSaver

    Rossetti uses an irregular and unusual meter in "No, Thank You, John," which suggests and mimics the disruptive and erratic nature of John's behavior. The first two lines of each quatrain are generally written in iambic tetrameter, so that by midway through the stanza, a fairly regular, predictable, and comfortable rhythm has been established.

  9. ‘No, Thank You, John’ by Christina Rossetti

    Write an essay answering the following question: How is the speaker of ‘No, Thank You, John’ portrayed by Rossetti? Compare this portrayal with that of women in at least two of Rossetti’s other poems. Key terms alliteration: repetition of the same letter or sound in close proximity caesura: a pause near the middle of a line of poetry

  10. Analysis Of No Thank You John - 1733 Words | Cram

    Christina Rossetti, for example, wrote a poem titled “No, Thank You, John” which criticizes the marriage system and indirectly becomes a proponent to the concept of the new woman. A new woman is considered to be independent, educated, and uninterested in marriage and family, as is the narrator of this poem.